hevc vs prores raw

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hevc vs prores raw Apple ProRes RAW is based on the same principles and underlying technology as existing ProRes codecs but is applied to a camera sensor s pristine RAW image data rather than conventional image pixels ProRes RAW brings to RAW video the same great performance quality and ease of use that ProRes has brought to conventional video

Panasonic has just released the 2 0 firmware for the Lumix GH6 This new firmware adds ProRes RAW external recording new ProRes 422 internal recording o I did a quick comparison between ProRes and H 265 encoding and thought I d share the results with everyone I grabbed some of Blackmagic s 4 6k RAW samples and picked a 3 second clip In Resolve I applied a LUT and then exported as an uncompressed 1080p 10 bit RGB 444 file

hevc vs prores raw

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hevc vs prores raw
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The Ultimate Comparison ProRes 4444 XQ Vs HEVC 4 2 2 Vs HEVC 4 2 0
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Video Codecs H264 Vs ProRes What Should You Use YouTube
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The formats on display are Blackmagic RAW at 3 1 and 12 1 ProRes Proxy and ProRes XQ He did throw a LUT on the footage to get it looking okay Right off the initial footage in Premiere it is hard to find any big differences on this YouTube video I started uploading my videos to YouTube in ProRes 422 because I know that my videos will be re encoded and I want them to preserve as much quality as possible Putting performance and storage aside is it worth it

In order of bit rate and potential image quality these are ProRes Proxy smallest file size ProRes 422 LT ProRes 422 HQ ProRes 4444 XQ Which one is best for your project Based on my research conversations and experience here s what I While HEVC h 265 is slightly newer and a great delivery and consumer level camera format ProRes still has very real advantages for professional use But Why Put It In A Phone The short answer is that you want to take the pictures shot by that phone into a professional workflow and control them properly in post

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After hearing of the control in post production offered by RAW files it would mean that ProRes RAW is always the best choice Where the highest image quality is required such as feature film production or high end drama then ProRes RAW is the way to go and it would be my own personal choice ProRes RAW is the relatively new kid on the block and adds the power of RAW video to the benefits of the ProRes codec If you aren t sure what any of that means don t worry This guide to ProRes and ProRes RAW will explain how the file formats work the benefits they offer and when best to use them

ProRes RAW and most HDR formats like the DolbyVision iPhone have 1000 nits luma range ten time SDR video HDR is separate from the codec and the compression Some cameras now shoot HEVC 10 bit high data rate video that s suburb for The ProRes RAW HQ is 3 to 1 compression and the ProRes RAW the base one is 5 to 1 And it s a range because of its variable bit rate so that s the approximate bit rate on normal images But it can go up a bit or down a bit in that range

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hevc vs prores raw - In order of bit rate and potential image quality these are ProRes Proxy smallest file size ProRes 422 LT ProRes 422 HQ ProRes 4444 XQ Which one is best for your project Based on my research conversations and experience here s what I